Tatahsvetairhayairyukte,mahatisyandanesthitau;
madhavahpandavascaiva,divyau sankhau pradadhmatuh
….. B.G.CHAP 1
VERSE 14
After
the Kaurav, Krishna and Arjun, riding in their magnificent, sacred chariot
drawn by flawlessly white horses (“white” symbolizes purity), also blow their “celestial”
conches. “Celestial” means beyond the material world. Yogeshwar Krishna’s
transcendental message is a promise to render unto souls the most auspicious,
unworldly existence that is beyond the worlds of both mortals and gods, and verily
the whole universe (Brahmlok), which is all afflicted with the fear of
birth and death. If the words in this verse are carefully looked at they
indicate something…It says the chariot is celestial (not made of gold or silver)
conch is celestial, everything is pure and celestial so the poet wants to state
that their message is also celestial.
Beyond
these worlds there is only the one unique and indescribable God. Krishna’s
message is of establishing a direct contact with this Supreme Being. But how
will he affect this state?
Pancajanyamhrsikeso,devadattamdhananjayah;
paundramdadhmaumaha-sankham,bhima-karma vrkodarah
….. B.G.CHAP 1
VERSE 15
So
Hrishikesh (lord of
the senses), who knows all the mysteries of the human heart, blows the conch PANCHJANYA. This is a declaration
of his intent to restrain the five organs of perception which correspond to
word, touch, form, taste, and smell, and to transmute their inclinations into
devotion.
ARJUNA or Dhananjay (the victor of
wealth) is the affectionate devotion that attains to the state of divine
exaltation. This devotion is a feeling of tenderness for the desired object,
which includes within itself all the experiences of devotees, even pangs of
separation and occasional disenchantment and tears. There should be nothing for
a devotee except the longed-for God. If the devotion to him is perfect, it
embraces the virtues (DEVDATTA)
that provide access to the Supreme Spirit.
BHEEM of awesome deeds blows his great
conch PAUNDR, which
denotes sentiment. The heart is the spring as well as the habitat of feeling.
This is why Bheem is called Vrikodar, the large-hearted. Sentiment is fathomless
and mighty, and this sentiment is Bheem’s great conch that is now blown. The
affection that he represents is embodied in sentiment. That is why Bheem blows
the conch named Paundr.
Anantavijayamraja,kunti-putroyudhisthirah
nakulahsahadevasca,sughosa-manipuspakau
….. B.G.CHAP 1
VERSE 16
King
Yudhisthir blows
the conch Anantvijay
(endless conquest). Kunti is the very image of dutifulness; and Yudhisthir, the
embodiment of dharm (natural piety). If one’s adherence to dharm is steady,
Anantvijay will bring about the absorption of the Self in the boundless God.
Nakul, who is a symbol of restraint,
blows the conch named Sughosh.
As restraint grows firmer, evil is subdued and the dominance of righteousness
is proclaimed. Sahdev,
the adherer to truth, blows on the conch which bears the name of Manipushpak. Sages have
described each breath as a precious ruby. “What a pity that we squander the
jewels of our breath on idle gossip!” One kind of satsang is the moral
discourse we hear from noble men, but the real spiritual discourse is internal.
According to Krishn, the Self alone is true and eternal. True satsang comes
about when the mind reins itself in from all externals and dwells with the
Self. This adherence to truth is cultivated by incessant reflection,
meditation, and samadhi. The more joy one feels in dwelling with the one
reality, the more restraint one gains over each breath, the mind, and the
instruments by which objects of sense affect the Self. The day they are totally
restrained is the day when we are absorbed in the ultimate essence. Providing,
like a good instrument, harmonious accompaniment to the song of the Self is
true satsang. The physical ruby is hard, but the jewel of breath is even more tender
than a flower. Flowers fall and wither soon after they bloom, and we can never
say that we shall live until the next breath. But if there is true adherence to
the Self, it leads us to realize the highest goal through providing control
over each breath. There is nothing to proclaim beyond this, although each
device is helpful in traversing a certain stretch of the path of spiritual
perfection….OM TATSAT